Strange New Worlds 8 (Paperback)

Each of these stories features our favorite Trek characters in new and adventurous situations. In this anthology, we get to experience a new version of the Kobayashi Maru, feel what it's like to be inside the Borg collective, delight in tasting new foods, and encourage Starfleet's future.

This year's Strange New Worlds winners encompass newcomers and veterans alike, including Alan James Garbers, Kevin Lauderdale, Kevin Andrew Hosey, Paul C. Tseng, Kevin G. Summers, Sarah A. Seaborne, John Takis, Dan C. Duval, Amy Vincent, David DeLee, Muri McCage, Susan S. McCrackin, M.C. Demarco, Annie Reed, Amy Sisson, J.B. Stevens, Robert Burke Richardson, Lorraine Anderson, A. Rhea King, Derrek Tyler Attico, Geoffrey Thorne, and Paul J. Kaplan.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction

Dean Wesley Smith

Every year you, the fans, take me on a pleasure ride into the amazing past of the Star Trek® universe.

Now, granted, I am a story junkie. I'm a person who loves reading Star Trek more than anything else I can think of doing (except writing Star Trek). Every October, boxes and boxes of great stories arrive at my doorstep, and every year those stories usher me into the Star Trek universe, in ways, and to places, I would have never thought to go by myself.

But besides that, your stories take me into my own past.

The original Star Trek series premiered in September of 1966 and was aired on Friday nights in Boise, Idaho. I remember how I would rush home from high school to watch it. I never missed an episode back in the days before videotape machines. I didn't dare -- there was the awful chance that the episode might not air again. (Yes, I realize that I just dated myself and told you how old I really am.)

The superb Star Trek stories you send in to the contest take me back to my high school days. They remind me of my friends and take me back to the nights of worrying about being drafted and the uncertainty of life -- deciding if I should go to college or just go skiing.

I did both, didn't get drafted, and years went by. When Star Trek: The Next Generation® started, a group of us, all hopeful writers, would gather at Nina Kiriki Hoffman's house to watch it every week. We would talk about the episode that we had just seen, talk about writing, and simply enjoy each other's company. If someone had told me that I would be writing Star Trek professionally, I would have just laughed. And wonderful anthologies like this weren't even distant thoughts. Every one of the Next Generation stories we receive reminds me of those delightful "Trek parties" we used to love so much.

Star Trek: Deep Space Nine® broadcast its first show via satellite, ahead of when it aired on regular local channels. My wife, Kristine Kathryn Rusch, and I lived in the country and had a satellite dish. We had just finished watching the very first show, about three days before almost anyone else in our area would see it, when John Ordover called. At the time, Kris was editing The Magazine of Fantasy and Science Fiction and I was editing Pulphouse Magazine. Before John started at Pocket Books for the Star Trek program, I had bought a story from him, so it wasn't such a surprise to receive his call.

We ended up talking about the new series and how cool it was. The conversation progressed and he asked if Kris and I would be interested in writing one of the first Deep Space Nine novels. Well, duh. What a silly question. It came out a year later under our Sandy Schofield name. These are the memories that the Deep Space Nine entries trigger in my mind. They remind me of those days out in the country, watching shows ahead of everyone else, and getting the first chance at doing something I couldn't even have dreamed of doing ten years earlier.

Star Trek: Voyager® and Star Trek: Enterprise™ both have a similar feeling for me; they lead me to the same place in my memory, even though their starts are years apart. Besides the fact that I love the shows, they bring on a faint recollection of worry and panic, as well as a satisfying feeling of success.

Okay, why such a mix of emotions? Well, Kris and I were hired, for both series, to do the very first original books. When we wrote those books, it was months before the shows aired. We had only a trailer, some still pictures,